I take on challenges that are often easy to define, but are not necessarily simple to achieve.
theatre design and consulting
“The production looks terrific. Scenic and Media Designer Steven Gerlach uses projected images and multiple revolving scrims to great effect, whether suggesting snowfall or ocean waves, and especially when he bathes the stage in revolving star fields. The right side of the stage represents Henrietta’s roots, with its images of family life and Margaret’s piano; the left side is the observatory, decorated with charts and graphs, where the women at their adjoining desks share the excitement of their work, the enormous telescope ever looming in the background.”- Lisa Jensen of Good Times
The projection needs were accomplished with 4@6k and 1@8.5K projectors. All media was programed and distributed with Qlab3 and one Mac Pro Tower. A separate Mac mini provided audio playback and media server trigger.

Working with Shaun Carrol, the director, we wanted to provide a few subtle elements in the show. As with most of my design work, I want the characters and the costumes to drive the story while the scenery is the background. The flashest set element was the LEDs illuminating edge of the guitar stage and main signing platform. The rest consisted of found palates for a barn feel, minimal set dressing and soft goods.



The projections were provided by 2@6k and 1@9k projectors. Dataton Watchout was the media server running on three Windows machines.
UCSC Theatre and Dance- Media Design & Programming
UCSC-Santa Cruz Shakespeare- Carpenter
La Jolla Playhouse/UCSD Technical Director
Nautilus Entertainment Design-Assistant Audio Design
Virginia Commonwealth University-Technical Director
Williamstown Theatre Festival-Technical Director